I have been exploring ways to integrate my interests in tree reflections, the relationship between man and nature, and the open space that has been preserved in my urban environment.
I am still trying to understand the meaning of the falling figures. Since I have been thinking about how to do more intuitive work, I started tearing old watercolor paintings and these are the images that resulted from that experiment. They could be a way of discussing the ideas of freedom from the urban lifestyle that often requires accumulation of stuff and in many cases leads to discontentment and stress. By letting go of the intense desire for material wealth people can be set free to appreciate the privileges of life in a free country.
Meanwhile I have continued to work on the tree reflections, this time with acrylic paint to eliminate the problem of the slow drying time of the oils. Although this practical choice has resulted in more paintings faster, I think the overall quality of the image is still better achieved with oil paint.
I literally gained new perspective on the landscape around my home by painting from photos I found on google earth, and others which I took from the air.
My mentor has encouraged me to use nature as a reference rather than a subject. This new work does refer to nature, but hopefully gives the viewer clues that there are ideas behind this work beyond literal representation.
I don't know where these explorations are taking me, but I have met my goals for this semester by going beyond the typical landscape painting. My last body of work now in progress involves using these images in a different method of mark-making -- monotype printing.
Sunday, May 24, 2009
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